The Great American
                Novel Act 1:
                the danger Act 2: rising action Act 3: the ball Act 4: crisis Act 5: triumph the Franklinverse part 2, act 1:
                the new danger

Marvel Comics were Real Time Comics in the 1960s

Plus: the team's ages

The Thing and the Beatles
The official view is that Marvel comics took place in more or less real time until 1968.

On 8th November 2010 on his Formspring account, Tom Brevoort stated unequivocally that Franklin is 8 years old and it is 13 years since Fantastic Four number 1. In other words, 5 years passed between FF1 (published late 1961) and Annual 6 (published early 1968), when in real time, 6 1/2 years had passed.. However, the art and other evidence suggests that Franklin may be around 6, indicating that 7 of the 13 Marvel years took place between 1961 and 1968. A couple of years later Brevoort approached the question in a different way, stating it even more clearly:

"In the earliest days, Stan didnít have any use for anything beyond the broadest version of continuity. And itís no wonderóhe didnít think these new characters would last for five years when he started, let alone fifty. So he had the characters aging more or less in real time, and it was only after seven or eight years that he started to realize that he needed to slow things down in order to allow for greater longevity" (source)

A close examination of the stories confirms that. Until 1968 at least, Marvel comics took place in real time. Here I'll use the Fantastic Four as a detailed example, but you could also chart Spider-Man's progress through High School and reach a similar conclusion. Are you ready? Let's fire up Dr Doom's Time Machine and go back to the very beginning, back to 1961.....

1961

The events of FF issue 1 are clearly linked to the space race in 1961, and fans loved it!

In 1971 (FF126) it was stated that the team's origin took place in 1961:


In 1975 (FF160) it was again stated that the events of issue 1 took place in 1961:
1961

1962

In 1962 Johnny explicitly states it is 1962:

Issue 4 has the return of the Submariner, a 1940s hero. He had his own comic just ten years earlier (I haven't checked the exact date his comic was canceled), so the Fantastic Four had to explain what happened in the mean time. Back then, ten years was a long time! back then, things happened! Back then, nothing stayed still! Back then, comics were exciting! So they explained how the Submariner had lost his memory some time before the nuclear tests of the 1950s (more real time references). A similar thing happened in the Avengers when Captain America returned. This was less than twenty years after WWII, but the real time delay was enough for Stan Lee to invent a "frozen in ice" story to explain the long delay. A similar explanation was used for the return of the original Human Torch in FF annual 4. Back then it was unacceptable for a hero to remain unchanged for twenty years without a serious explanation! These days the heroes have remained unchanged for thirty years and nobody cares any more.

In issue 8 Johnny mentions it is 1962. In issue 9 of the FF starts with the FF becoming bankrupt. This was written in 1962, coinciding with a real-world stock market crisis. Then our heroes visit Hollywood, and on pages 6 and 7 they appear in the same frames as famous celebrities from 1962.

Johnny Storm's age increases each year

As we continue we will see that Johnny's age increases by one year every year.

Johnny Storm probably has his 17th birthday in February 1963 (see below). We can see the passing of time in his own comic, Strange Tales. In 1963 Johnny has exams and says he resents still having to go to school. In Strange Tales 119, page 2, Reed refers to Johnny's next "summer vacation," indicating that Reed expects him to continue his schooling.

FF 52Strange Tales 120Strange Tales 119FF 44

Soon after this we stop hearing of Johnny's school work. Instead he is seen lazing around the house, dating Dorrie Evans, racing cars, bowling or playing golf. Previously his exam pressures were building up, yet now he has plenty of time. The obvious conclusion is that Johnny graduated from high school but took some time off school. How much time? The comics' internal chronology (see references above to "last year" and "a few months ago") suggest that this was quite some time. Students cannot just take a few months off - it is a year or nothing. Besides, it is very common for a student to take a gap year. So we can conclude, based on the comics, that Johnny Storm took a whole year away from school in 1964, when he was 18 or 19.

This was not yet a big problem. The slippage was only small and could easily be made up in a later story. More importantly, the stories were incredibly good, so we can overlook the fact that they have fewer real-world connections. But the writing was on the wall, the realism was weakening.

1968 was Marvel's great turning point. Click here for details

1963

Johnny explicitly states it is 1963:
Strange Tales 119
FF issue 11 has the FF respond to letters from their readers. They very clearly live in the same world and same time frame. Issue 1 is described as being "a year ago" (FF1 was at the very end of 1961), and issue 6 was "a few months ago."

We also learn that Reed and Ben fought in World War II. And the comic is very specific: Ben was a marine fighter ace who fought over Okinawa and Guadalcanal, and appeared in the newspapers. Reed worked for the underground, for the O.S.S., and he dreamed of his childhood sweetheart, Susan Storm. These people were not timeless icons, they felt like real life people, living in the real world, and that is what made their adventures more exciting than other comics.

Issue 17 has a cameo from president John F. Kennedy, and page 12 has his counterparts in Russia. Then issue 19 refers to issue 5 as "more than a year ago" (exactly a year ago would have been issue 7).

real time

1964

FF issue 28 has their first battle with the X-Men. As so often happens in these issues, the FF learn about current events by reading the newspaper, emphasizing both the links with the real world and the fact that everything back then was always changing. Issue 33 begins with the headline "SCENE: F.F. HEADQUARTERS! TIME: NOW!" The story begins with an undersea specimen being sent from the Coast Guard for Reed to study, and Ben looks in an encyclopedia to find what it is. The Hate Monger story includes a reference to an underground tunneling machine, with a note from the editor saying the Russians are really developing such a thing in the real world. Everything acts to tie the FF into the real and familiar world of the readers, which makes the amazing adventures seem even more amazing.

In Strange Tales 127 (December 1964, on sale in September) we see that issue 118 (just nine issues earlier) was "last year." And issue 124 was "a few months ago." Clearly this is happening in real time.

This is confirmed by the text. In previous issues, the Wizard was twice sent to jail, and each time he "had plenty of time to plan" and was able to act like a model prisoner for "long enough" to lull the authorities into complacency. Then he escaped and planned his next campaign against the torch, all within the space of a few issues (102-105, 106-110 then 110-118). If this is not happening in real time there simply isn't enough time for the events to unfold.

Left: in FF 28 (July 1964), Strange Tales 120 (May 1964) was described as "a few months ago." In FF 31 (November 1964), FF 18 (the Super Skrull, September 1963) was described as "last year."

ff 28ff 32

Note that the characters used to remember previous battles, and each battle was highly significant, because every year was different, everything was changing, most of the events were new. Today it's just "Ho hum, looks like it's time to fight the Hulk for the 267th time. Or maybe it's Dr Doom's turn again. Yawn."

And what else happened in 1964? Oh yes. The Torch and The Thing met The Beatles.

1965

The big event of 1965 is the wedding of Sue and Reed. Here we have real world development: two characters who are in love get engaged and are married! And Stan Lee and Jack Kirby, the writers of the comic in real life, come to the wedding!

In FF 44, issue 35 (9 months earlier) is referred to as "last winter," and also as "many months ago."
FF 42many months

The six issues between issues 44 to 50 (the Inhumans and Galactus) is probably much less than 6 months, though long enough for Crystal and Johnny to meet and fall in love (and this was real love, not just another Dorrie Evans). However, the following two issues, 51 and 52, cover far more than two months, so a real time average is maintained:
Johnny's age
Johnny should be aged 19 in Feb 1965, but takes a gap year. In issue 44, Johnny indicates that he intended to enrol in college that year, but failed to do so because the Fantastic Four was so busy. Students normally graduate aged 18 or 19, so he could have graduated in 1964 and taken two years off. He didn't like being at school (in Strange Tales) so probably half planned to never go back, but his experience with Galactus made him feel so small that he suddenly got serious and enrolled. He wanted to forget his girl obsessed ways and just work hard.

Johnny's 20th birthday approaches
In FF 47 Sue refers to Johnny as a teenager, and he replies that when he's fifty she will still think of him as a teenager. This is an example of where real time adds richness to the story. If Johnny was 17 in Feb 1963 he would turn 20 in Feb 1966, which is this issue;s cover date. But stories are planned 6 months earlier (and on sale 3 months before the cover date) so he would be still a teenager, but very aware of leaving his teen years behind. In FF 47 Johnny looks like an adult.

1966

In FF54 Johnny states that it's 1966.

1966
In issue 59 (dated March 1967, on sale late 1966) we are specifically told that Wyatt drove a Ferrari Dino V-6 Berlinetta and that it is very expensive.

According to the Ferrari web site, this was one of the most influential models ever, and was unveiled at the 1965 Paris motor show. The Paris show takes place every two years, in September. and it takes a little while for orders to be delivered, so it would have started to appear in America in 1966. Indeed, everything points to this being the defining car of 1966 and no other year, firmly fixing this story to the real world.

Other developments:
It's not only Johnny who grows and changes. Reed changed just as much. Four years earlier he was a pipe-smoking respectable tweed-suited university figure. Then, four years later, he's a man of action! (If it looks like he's got younger, that's because stretchy skin doesn't wrinkle!) Ben's personality and appearance have changed dramatically, just compare the careless violence of the first few issues with the teddy bear he became. Sue has developed from air-headed socialite to mother figure. Even the Baxter Building has changed, from an ordinary office block to almost a robot in its own right.

Galactus in 1966

1966 was dominated by Galactus. The Galactus saga has often been imitated and retold, but all the retellings have been forgettable. Perhaps this is because the saga is so clearly rooted in the mid 1960s. Just look at the climax to the Galactus trilogy, in issue 50. The cover makes space for the fact that Johnny Storm begins college. Clearly the passage of time is rather important!

The art screams mid 1960s:
The cover to issue 48 and numerous backgrounds show the classic early 1960s new York skyline. Most pages show classic 1960s hairstyles. Most pages show classic 1960s fashions - the women have push-up bras and the men (bystanders) wear hats. Several panels show 1960s technology, with giant TV cameras, 1960s jet planes, 1960s cars giant two-way radios, and so on. I don't have the expertise to identify specific fashions from specific years, but I bet that a fashion expert could identify the details.

The attitudes are 1960s:
Issue 48, page 14 shows classic gender roles, with Sue worrying about her duty to make dinner for Reed, and Johnny comments on the battle of the sexes. And a silver muscle-bound spaceman riding a surfboard - need I say more? But soon after we see the Black Panther, the first ever (?) black superhero, pre-dating the political group of the same name. This reflected the high profile race issues of the mid 1960s, and would be up to the minute in 1966.

Pop culture of the mid 1966:
All the major elements of the story make most sense in the 1960s. The interest in godlike men and nobility, and clear influence from movies like "The Day the Earth Stood Still" and "The Day the Earth Caught Fire" and issue 48 page 13 directly references a 1960s film maker.

Other 1960s references:
At the ends of issue 50 we learn that Wyatt Wingfoot was brought up in a mission school. Issue 48 includes a photo montage that looks very dated in today's computer age. And so on and so on. This story, like all the others, is saturated in contemporary culture and references. If we ignore the 1960s links then we must ignore the art, the dialog, the premise... nothing is left! If the Galactus story and the other stories have any merit, then some of it must be down to real-time real world links.

It is worth noting that Marvel did not just reflect 1960s culture, it contributed to it! That is what happens when you embrace the times you live in and try to live in the real world. In contrast, modern Marvel stories take place in an imaginary limbo and declining sales reflect their lack of relevance.

1967-1968

The years 1967 to 1968 are dominated by Franklin. In 1967 Sue announces that she is pregnant, and in 1968 the baby is born. This is the beginning of the end for Real Time, though the process is gradual. Time slippage is not obvious until the early 1970s, and does not produce huge problems until the 1980s. It is not until 1991 that the last nail is driven into the coffin of the Marvel Universe as it existed in the 1960s, but that is another story.

Although it is possible to interpret the Fantastic Four as living in real time until 1969/1970 (issue 98, the real world moon landing), it gets harder after issue 52. Another multi-issue epic began in 52, and the events of just a few days (perhaps a couple of months at the most) are stretched over nearly a year. Fans began to notice that time was stretching. They started to complain. So much so that this is acknowledged on the splash page of issue 61:

FF 61

1969

FF 82 in real time

A close reading shows that all the issues up until the 70s (when Sue is pregnant) take place with very few gaps in between. We cannot then have a long "catch up with real time" gap because Sue is then pregnant, and we cannot have a pregnancy lasting two years! So real time becomes hard to believe after the 50s (that is, after 1966). However, the gap between Marvel Time and Real Time is still very small, and the events of these issues take place with such energy that most readers probably did not notice. The last major real time event in the 1960s was in 1969, where the Fantastic Four help Neal Armstrong get safely to the moon. (Issue 98 was dated 1970, but was probably on sale in late 1969). If we do not pay close attention we could still believe that events maybe happened in real time until that point, but after that the problems just mount up. There are occasional Real Time references for the next ten years, but these are outnumbered by the obvious anachronisms.

The same analysis can be done for other titles

The same examination could be made of other titles. For example, in X-Men 54, in 1968, Scott and the X-Men take Alex out for drinks after his graduation. The drinking age in New York State at the time was 21, and Scott is older than Alex. Scott was 17 in 1963, so 22 in 1968. If any less time had passed then his younger brother would be under 21 and unable to drink.

Another example is this footnote in HULK #135 (January 1971) by scripter Roy Thomas:

"Roy's Theory of Relativity: Ever since that infamous day in AVENGERS #9 (1964) when Kang first invaded our century, his rate of time-flow has gone forward at the same speed as ours -- so that, just as seven years have passed for Kang since then, it is now seven years later for us, as well! See you in the letters-pages! -- Rascally"

As Tony of The Wastebasket points out,

"The story specifically notes 1964 as the year the Avengers were formed and the 'present' as being 1971. So it seems that Roy Thomas was operating under the assumption that the Marvel Universe was moving forward in real-time."

The remaining years fit into just five "real" years.

As Tom Brevoort implied, later Marvel years can be compressed into only a few few real years. Whereas early comics would refer to previous issues as "months ago," later stories usually happen without a break. The various attempts to map Marvel Time onto Real Time indicate that everything from the end of real time (1968) to the late 1980s (real time) would fit into around five years. At that point, serious continuity ended. In other words, the Marvel Universe ended, in real time, around 1973, and then Marvel published those stories over the next few years.

1973

The End of Real Time

The final nail in the coffin of Real Time is FF 129 - 133, featuring baby Franklin at roughly 18 months old - old enough to be play outside in the dirt with minimal attention, but probably not walking or talking very much. One of these stories is clearly linked to New Year 1973, when Franklin should really be twice as old as he is portrayed. This is the first clear example of dates not adding up, thus destroying the illusion of reality.

Marvel Time goes downhill from there. By 1984 Franklin is five six years old, and he was still five in 1998. By the year 2000, the older characters' ages seemed to be almost going in reverse. You can track the corresponding decline in sales, as comics no longer feel relevant to real life. There have been occasional good stories since then, but practically no character development. To all intents and purposes, the period of dynamism and change ended in 1973 at the latest.

More evidence for 1973

According to the 1998 Fantastic Four annual, Marvel Time diverged from Real Time in 1973. You can check this on Wikipedia (or at least you could in 2010): just look up "Earth 98." The key event was the death of Gwen Stacey.

It appears that Stan Lee subconsciously thinks of the Fantastic Four as ending circa 1973, around the time that he left direct control of the comics. Read his "Last Fantastic Four Story." It cannot be set in the present, as the characters are wrong. But it cannot be set in the future either: the team (and the Silver Surfer) seem inexperienced, they are short of money, and no recent characters are present. Meanwhile, characters Like Thor, Captain America and Nick Fury are not their current versions. Crucially, Franklin looks younger. A discussion on the comicboards Fantastic Four message board concluded that the story only made sense if set in the early 1970s.

Philosophically, the concept of a "last Fantastic Four" story implies a continuity that moves forward and is never retconned. This was only true in the early days. So it cannot refer to the modern comic called "Fantastic Four" where nothing ever changes.

Economically, the concept of "last Fantastic Four story" only makes sense in the early 1970s. Today it is unthinkable that Marvel would ever cease publication, as long as a handful of copies can be sold. But in the early 1970s Marvel seriously considered that superhero comics would end.

"Comics had always been a cyclical business, and almost everybody in 1971 thought that super heroes must inevitably be on their way out again. That's why there was such a gold rush on to find the next big genre--sword-and-sorcery looked like it might be a contender, and there were a lot of new mystery (watered-down horror comics without much horror), war and western comics being churned out in this period. But the classic Marvel, Stan's Marvel, was still seen as something of a fad (even by Stan himself), and the common wisdom was that everybody was going to be doing something else very soon (possibly in another field entirely.)" -Tom Brevoort


Real dates still used in the 1970s

The effects of Marvel Time were gradual. Some books still referred to real dates (both in the past ad present) until the 1970s. This is from Marvel Two In One (the Thing's own book) in 1977, referring to the death of Adam Warlock (see FF 67 for his origin as "Him" and FF 274 for his Warlock identity).
Warlock

it may be symbolic that real time appeared mainly on grave stones. Real time was dying.

The Fantastic Four featured real dates until 1989

The Fantastic Four age by 13 years, but their stories take place on real, fixed dates over their 27 calendar years, and earlier. In 1976 they referred to 1961, and in 1980 they knew it was 1980:

1980

Dates were fixed as late at Act 5, in FF309 for example. In 1987 the space shuttles are grounded as a result of the Challenger disaster of 1986. This is reflected in the story, and in that same issue Ben refers to fighting in "the big one", WWII, a fact established back in issue 11. But after 1991 there is a different Ben who does not have that experience.

Ben fought in
        WWII

Why does Ben does notice that he is aging more slowly than the people around him? Blame Franklin.

Note that this is not just some slip by Englehart: Byrne's last story is about Marvel Time, and in his second to last story he anchors Nick Fury's teenage years to 1936. Byrne has Sue state that she was not born in 1936, but she also says she was only 12 years old when Reed was in college. This allows for Reed being active in WWII (see FF11), without confusing new readers. Regardless of what Byrne may have intended, those are the facts as presented in his comic.

After 1989 the stories detach from the real world

Time started breaking in 1989. By 1991 time was in chaos and the the coherent Marvel Universe was dead. In the 1998 FF annual for example, The Thing can visit the real time Fantastic Four and see that they are different people.

This illustrates the difference between a stretching timescale and a sliding timescale. Stretching time means the characters themselves age slowly but do not notice: they are still anchored in the real world. Sliding time means that dates for events constantly change: all anchors to the real world are broken except the present day, and without a history the present is meaningless. In the sliding timescale (the Franklinverse) dates are usually not mentioned at all, characters often grow younger, and continuity is treated as a problem and best ignored.

Conclusion

That is how Marvel Universe continuity began, and how it no longer exists. For how it ended, click here.

Maybe one day the Fantastic Four will return to the real world. Maybe one day we will again have characters that develop, stories that are relevant to the present day, and events that have real significance. But until that day we always have the reprints.




The team's ages

This might be a good time to look at the team's ages. The key text is the letters page in FF11:

ages

Sue's real age

In the FF291 dream, Sue implies she was 20 in 1961, when Reed was in his late 30s. This dream contradicts what Reed said about them as being children together. All the evidence indicates that there is a very simple reason: Johnny is Sue's son, born when she was aged 16, and this would have been a social scandal. But how could a 31 year old get away with claiming to be a young 20-something? Sue was an expert at looking much younger than her calendar age:
  1. Her unusual beauty:
    her excellent genes means the always looked young
  2. An obsession with cosmetics
    this is backed by Reed's wealth, her fame, and her own family's comfortable background. She will have the best people in the world working on her.
  3. Her extreme privacy:
    the public didn't know her until she was 31, nobody knew her age, and she allowed them to think she was "somewhere in her twenties"
  4. Forcefields:
    In later years, Sue appears to use her forcefield permanently and unconsciously. In FF38 we learn that her forcefield automatically kicks in when needed, so we know that with practice she does not need to think of it consciously. In another issue (sorry, I forgot the reference) it is mentioned that her forcefield will automatically stop a bullet, even when she's not expecting it, so it routinely hugs her body. By 232 it seems clear that she is using it to enhance her bust (see the notes to FF2321 and 232).
  5. In her 40s her body was de-aged to about age 28 by the Skrull ray (see FF214). The greatest makeover of all!
The desire to look young is one of many classic feminine stereotypes represented by Sue, and has serious real world reasons. For millennia older women have been ignored by men in favor of younger models, and at the other end of the scale teenage girls who got pregnant (usually against their wishes) had to pretend an unwanted child was a sibling, and if necessary pretend to be older to maintain the illusion.

Johnny: born in February 1946

The "just seventeen" statement comes from the letters page to FF 11. We may be able to pinpoint this to the exact month. This is why.

  1. FF 11 would be aware of its cover date
    The internal conceit is that all other issues report the past: the team have an adventure, it's reported to Marvel, the book is written, it goes on sale, and the cover date is ahead of that to allow for magazines sitting on the stands for months. This means the default dating for anything in the comic is at least 6 months before the cover date. But issue 11 is different. FF11 is about the comic itself. Marvel planned a special question and answer issue (we'll ignore the second story for now), and asked the FF for info. So if Marvel said "we are planning a special issue, how old are you" Reed Richards would naturally ask "on what date?" And Marvel would say "we are planning this for the February 1963 issue." True, that would nbe on sale before that date, but dates are late because some kid in a remote town won't pick up the comic until then. (After that date news stands can return the comics as being old.) We know from the footnotes that the cover date was important back then: references would often say things like "see issue 4, April" or "see issue 6, August"
  2. Johnny was young, but wanted to appear as old as possible.
    The art in issues 1 to 3 makes Johnny look young. 15 or so perhaps. But he wants to be seen as equal to the others (hence storming off at at the end of issue 3: I argue that most of his early solo adventures take place in several months between issues 2 and 3). His while life is dominated by frustration at being treated as the kid. So when asked his age, if there is any way he can say "17" he will. Even if his birthday was on the last day of the magazine cover date. I think Johnny's frustration is something modern readers completely miss, and that is illustrated by his love life. In modern times he is treated like a successful (and shallow) womanizer. But in the early years he was the opposite: he cared deeply, but devoted so much time to his work that he was romantically very immature. He hated being treated like a little kid.
  3. The late date fits perfectly with the Sue's age
    Sue's real age is based on the theory that she had an affair with Namor as a teenager (see FF291). This was common in war time, and would be most likely at times of greatest excitement, or when a boyfriend had been away the longest. Reed served in Europe, so the latest date (and most emotionally charged period) would be Victory in Europe, May 1945, or just before. The art and circumstantial details in FF261 (see notes to that issue) suggest that Namor and Sue's romance climaxed at that time. If Johnny was conceived in May 1945 he would be born in February 1946, and be "just seventeen" on the cover date of FF issue 11, Feb 1963.

Objection: in FF 329, clone Johnny relives FF1 and says he's only sixteen (when according to the above calculation he should be 15). Response: FF 329 takes place in a dream-like state where early and late stories mix. For example, they are not sure whether or not Reed and Sue are married. So this age refers to several years merged into one.The whole point is that clone Johnny does not age.

Ages: conclusion

So the most likely ages are:

Time progressed normally until Franklin's birth in mid-1968 (as this page will show). At that point their ageing slowed considerably, probably only adding 6 years (possibly 7) before the Franklinverse took over and all connection with real time was lost.


Real world dates

Quick summary: 1961-1968 is in real time. 1969-1889 covers only four comic years.

How dates are calculated:

The story was published over 28 years, but only takes around half that time. There are four ways to approach the problem:

  1. Ignore it. This means never asking questions. This means missing out all the best stuff.
  2. Slide it. The official position is Marvel Time, the sliding time scale. The origin story is always 13 years ago, and the past is constantly revised. This means losing all the contemporary details, but the stories follow the zeitgeist of the time so closely that there is very little left.
  3. Stretch it. Until 1968 stories took place in real time. After the birth of Franklin they age slowly but do not notice. This allows us to continue to connect modern comics to the real world. This is the explanation used in fourth wall breaking stories like She-Hulk.
  4. Anchor it. The Original Marvel Universe blog, or OMU, anchors all stories in 1961. Everything then takes place in the next 13 or so years. E.g. 1991 is really 1973; references to "Ronald Reagan" are really references to Nixon.
Our preferred choice depends on our attitude to realism.
  1. Ignore it: If we don't care then we don't care. period.
  2. Slide it. If we only care a little then the sliding scale works - as long as we don't look closely.
  3. Stretch it. If realism is essential then slow aging fits with everything. No stories need to be changed, although some stories may be mis-reported. This is mostly a problem for other comics.
  4. Anchor it. If you want maximum realism but also want to accept other comics, then some changes are inevitable. To minimize changes you may need to change the dates just once, and reject everything after 1991.
On this web site realism is everything. So I choose the stretching method. The most compressed dates are toward the end of act 4. For how those final dates are calculated see the notes to FF annual 18



Summary of ages

Act 1:danger
2:rising action
3:the ball
4:crisis
5:triumph
key event
origin
Namor
Disliked
Father
Wedding
Galactus
Sidelined
Franklin
Agatha
Divorce?
Enough
Scratch
Hell
Peace
Sue: real:
(de-aged)
looks like:
31

20
32

21
33

22
34

23
35

24
36

25
37

26
38

27
39

28
40

29
41

30
42
(28)
31->28
43
(29)
"
44
(30)
"
Ben
37
38
39
40
41
42
43
44
45
46
47
48(41)
49(42)
50(43)
Reed 35
36
37
38
39
40
41
42
43
44
45
45(39)
46(40)
47(41)
Johnny
15
16
17
18
19
20
21
22
23
24
25
26
27
28
year
1961
1962
1963
1964
1965
1966
1967
68-70
70-1
72-3
73-6
77-80
81-6
87-88
OMU year
"
"
"
"
"
"
"
1968
1969
1970
1971
1972
1973
1974
key issue
1
4
11
27
an'l 3
48
72
an'1 6
94
141
189
214
291
an'l 20



The Great American Novel